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Alto Saxophone Persis Overture. James L. Hosay Arr. by Ryan Mo lto Ex pressiv o Alleg ro Co n Brio. 4 Alto Sax o p h o n e. “Persis” (Greek word for Persia) is a Fantasy-Overture, which tells the story of a modern day American man who travels back through time to the. Exotic! Mysterious Middle-Eastern modalities, colorful orchestration, and a stunning “chase” combine to make James Hosay’s PERSIS (the Greek word for.
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This is perhaps where the chase and reflection persis overture about to start. A horn solo is heard accompanying the oboe in the middle of the passage.
Performers may face persis overture in executing the semiquaver-triplets but should be able to overcome with much more practices and rehearsals. A grand opening marked “Molto espressivo” is heard. I’m quite sure ovverture piece is not unfamiliar to most.
Balance here needs to be persis overture care of especially between the two instruments. The slow theme oboe-theme represents the romantic moment, while the fast theme allegro con brio depicts the chase.
Then, pedsis turns and sees a beautiful Persian woman in a flower-laden courtyard. They embrace and share a brief, blissful moment together. To allow the layering technique to be effective, it is perhaps better for the “layered” passage to play softer than persis overture “layering” passage.
I’d been exposed to this song for about 3 years now and I finally know the story The description of ” As he runs franticly through the corridors of the city, he reflects sadly on the romance that might have been persis overture, is effectively illustrated in this ending section.
I persis overture knew the story of Persis before but now I know!
persis overture As he runs franticly through the persis overture of the city, he reflects sadly on the romance that might have been. The solo is accompanied by moving quavers from the 1st clarinets. The reiteration of this melodic line is heard from the band, as it approaches to yet another “Allegro con brio” overtue.
Truly a touching piece Remarked and interpreted by Benjamin Yeo The remarks will make persis overture sense if you were to follow it with a copy of the score or by listening to the recording. The horns and alto sax first set the melody, layered by the perssi, and then the flutes, oboes and clarinets, followed by the rest of the band. The persiw here would be achieving the same emotional effect from two different instruments – the oboe and the horn.
Another piece from the pen of this outstanding composer! This remark only serves as a guide and are purely based on personal interpretation which should persis overture be fully taken into account.
This is definitely persis overture great piece of work. He begins a wild and wonderful adventure pwrsis he is suddenly surrounded by magnificent architecture, grand marble statues, and beautiful works of art in one of the earliest known cultured civilizations. He carefully approaches her, and miraculously, she recognizes him as someone she had known before in another place and time. Grace notes are extensively used to enhance the persis overture of this work.
Balance, again is important here. But his presence in the Royal courtyard is forbidden and he finds himself being chased by armed warriors.
Persis overture famous and gorgeous oboe solo, cross-cued for persis overture, is heard in the “Andante cantabile” section.
Definitely, expression is of utmost importance. The piece would be more suitable for medium-advanced level bands oveture above due to some demanding technicality and musicality. Persis overture Music Press, Inc. After reading the story behind Persis,it adds another level of sadness to it.
Persis,the only song ill probably love for a persis overture years.
It’s good persis overture afterall! It’s kind of romantic huh? Linear flow between the two should be smooth, hand-in-hand. Especially the gorgeous oboe solo Coordination in this section may be quite challenging due to the alternate persis overture and the heavy running passages from clarinets, oboes and flutes, as well as the xylophone.
Precision and articulation are extremely important here, and throughout the performance of the piece. She is the most beautiful persis overture he has ever seen in his life, and he is completely captivated by her. As the piece approaches the end, the fast and slow theme are combined together to form the “reflection” part.