The Herbie Hancock Collection (Artist Transcriptions. Piano) [Herbie Hancock] on *FREE* shipping on qualifying offers. (Artist Transcriptions). This one is from Herbie’s classic Maiden Voyage album. The piece is constructed of rubato head and jazz waltz solo section. The Eb-7/F (F. This isn’t the flashiest Herbie I’ve heard (compared to his solo on “No More Blues” Labels: #ttmusic Blue Note Herbie Hancock Transcriptions.
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If I was to transcribe something like ‘Actual Proof’ however; that one took tanscriptions days Nice of you to share your stuff here with all of of us.
Lets see you do it. I suppose it counts as a prototype if he had it modified to have the effects loop jacks before they were added to the production model.
Herbie Hancock – Jazz Piano School
Paul Harrison Senior Member Registered: Thanks, Tom Originally Posted By: But the first time I believe is at the 7: The thing about Herbie is he doesn’t look back, always forward, willing to try new things, expand his playing into new areas. Too yranscriptions, I disagree with the voicings and it’s also a very tough balance to notate something in a legible form rhythm-wise, whilst getting across the swing or lilt of a phrase that is played well behind the beat.
Their inner experience of a “rhythmic bed” is much more hidden or covert. Though those harmonies can’t be easy either.
The part I have in mind occurs a couple of times. Since I used mixers, I used EV speakers. I find it a little hard to believe that he literally used the same Rhodes for a transcriptiond stretch, since Zawinul, who has the most similar recording and touring history, said “I also had plenty of Rhodes electric pianos. As I always say though, the value is in doing the transcription yourself – it’s like musical archeology! One of these eye openers is this realization that tells me.
Wags Don’t have much to add regarding transcriptions, and I can appreciate the hard work that goes into them, but I doubt that Herbie ever played the same song the same way twice.
Ideally I’d spend time looking at the rhythm section too in fact, I’ve transcribed Sly completely including the bass and drums but most of the time it’s just the Rhodes I examine.
Resolution 88 Senior Member Registered: Too often you see note-for-note videos, where the transcriber just plays the notes and completely ignores the time feel. It’s always great to meet other Herbie aficionados! I totally failed at copping Bootsy’s music, which was a part of James’ music. The amplification did a lot to the Fender Rhodes mkI sound.
The reason I will attempt to articulate! Essential especially with Herbie’s Rhodes stuff. Dave BryceStephen Fortner. The more sensitive to music, the maker is, the better for us all.
One Finger Snap – Herbie Hancock Solo Transcription | CKendrickMusic
The rhythm is critical The melodic rhythms of a solo, are encased within the greater context of the groove of the rhythm section. I won’t be stopping any time soon. How do you verify perhaps the most difficult part of the music- the melodic rhythms?
I don’t know about the prototype theory – if I ran the Rhodes factory and supplied one to Herbie, even if I said it was a ‘stock’ hacnock, I’m sure I’d have chosen the best out of ‘s – but I don’t know whether what Herbie had was anything more herbiw a fantastic example, slightly modified.
Page 3 of 3. I’m gradually trying to transcribe all of Herbie’s back-catalogue from that era When you “get” that rhythmic code, you will have a ball with all manner of freedom I’m not saying there’s nothing to learn from transcriptions, but you’d be much better off working on technique, understanding harmony, and developing your own voice.
Hefbie is greatly understudied in my opinion. They come through my intuition while on a bandstand.
The key transcriptiohs all Herbie solos or any other legendary jazz pianist, for that matter is that not only do you have to find the notes, you have to hancocl the feel and the dynamics, the phrasing too. The solo only gives a hint at what rhythmic world the player was choosing from. This aspect of music is seldom addressed. It’s all good in other words – transcription and learning from your inspirations is a must, in my opinion.
I’ve got a second suitcase I use for gigs but it’s a very different sound despite being an identical model – the only difference I can see that’s causing the difference is the hammer tips square vs non-square. Can’t wait to see more. I can tell you, that playing with them, backs this belief transcriptiobs mine up.
Also when are we transcripptions to see Actual Proof and Shiftless Shuffle in a video or book? Herbie Hancock exact, note-for-note transcriptions on Rhodes [ Re: Thank you for this. Never got around to that one. Don’t have much to add regarding transcriptions, and I can appreciate the hard work that goes into them, but I doubt that Herbie ever played the same song the same way twice.
These are all inner, in nature, personal, nothing directly to do with music theory, or reading music. Yes that’s a great version with Herbie on Rhodes – those early silvertop Fender Rhodeses had such habcock different tone in comparison to the mid 70’s.
Vince is perhaps the best ensemble ahncock I’ve ever seen. In one section he herboe some really nice things with a vocoder. Here’s ‘Sun Touch’ just in case you’re interested in figuring out a particular voicing or lick.
There are many factors at play, not least the musician playing it plus the Harrison console used to record an album like Sunlight, but surely that particular Rhodes that Herbie used must still be one of the best sounding in the world.